SKU: 49941420468

Clevite Pontiac 4 151 1977-93 Con Rod Bearing Set

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Description

Clevite Pontiac 4 151 1977-93 Con Rod Bearing SetCarrying on a tradition of durability and dependability, Clevite BiMetal (aluminum) engine bearings feature 100% lead free aluminum silicon. Engineered with 60% more silicon than comparable competitive replacements, they provide better conditioning of journal surfaces. This results in greater seizure and wear resistance. This Part Fits: Year Make Model Submodel 1980 1982 American Motors Concord Base 1980 1982 American Motors Concord DL 1980 1982

Carrying on a tradition of durability and dependability, Clevite BiMetal (aluminum) engine bearings feature 100% lead-free aluminum silicon. Engineered with 60% more silicon than comparable competitive replacements, they provide better conditioning of journal surfaces. This results in greater seizure and wear resistance.

This Part Fits:

Year Make Model Submodel
1980-1982 American Motors Concord Base
1980-1982 American Motors Concord DL
1980-1982 American Motors Concord Limited
1981-1983 American Motors Eagle Base
1981-1982 American Motors Eagle DL Kammback
1981-1983 American Motors Eagle DL SX4
1981-1982 American Motors Eagle Kammback
1981-1983 American Motors Eagle Limited
1981-1983 American Motors Eagle SX4
1980-1982 American Motors Spirit Base
1980-1982 American Motors Spirit DL
1980 American Motors Spirit Limited
1982-1992 Buick Century Custom
1984 Buick Century Estate
1985-1989 Buick Century Estate Wagon
1982-1992 Buick Century Limited
1984 Buick Century Olympia Limited
1991-1992 Buick Century Special
1980-1982,1990-1991 Buick Skylark Base
1983-1991 Buick Skylark Custom
1990-1991 Buick Skylark Gran Sport
1980-1989 Buick Skylark Limited
1990-1991 Buick Skylark Luxury Edition
1980-1982 Buick Skylark Sport
1986-1987 Buick Somerset Custom
1986-1987 Buick Somerset Limited
1986 Buick Somerset T-Type
1985 Buick Somerset Regal Base
1985 Buick Somerset Regal Limited
1985-1990 Chevrolet Astro Base
1985-1990 Chevrolet Astro CL
1985-1990 Chevrolet Astro CS
1987-1990 Chevrolet Astro LT
1982-1986 Chevrolet Camaro Sport
1982-1990 Chevrolet Celebrity Base
1982-1983,1989 Chevrolet Celebrity CL
1985 Chevrolet Celebrity Classic
1982 Chevrolet Celebrity CS
1985-1987 Chevrolet Celebrity Estate
1984-1990 Chevrolet Celebrity Eurosport
1980-1983 Chevrolet Citation Base
1980 Chevrolet Citation Club
1980 Chevrolet Citation Custom
1980-1983 Chevrolet Citation X-11
1984-1985 Chevrolet Citation II Base
1984-1985 Chevrolet Citation II X-11
1990-1992 Chevrolet Lumina Base
1978-1980 Chevrolet Monza 2+2
1978-1980 Chevrolet Monza 2+2 Sport
1978-1980 Chevrolet Monza 2+2 Spyder
1978-1980 Chevrolet Monza Base
1978-1979 Chevrolet Monza S
1978 Chevrolet Monza Sport
1980 Chevrolet Monza Spyder
1985-1993 Chevrolet S10 Base
1985-1990 Chevrolet S10 Durango
1992-1993 Chevrolet S10 EL
1985-1989 Chevrolet S10 Sport
1985-1992 Chevrolet S10 Tahoe
1985-1988 Chevrolet S10 Blazer Base
1987-1988 Chevrolet S10 Blazer High Country
1985-1988 Chevrolet S10 Blazer Sport
1985-1988 Chevrolet S10 Blazer Tahoe
1985-1990 GMC S15 Base
1987 GMC S15 EL
1986-1988 GMC S15 Gypsy
1985-1990 GMC S15 High Sierra
1985-1990 GMC S15 Sierra Classic
1985-1987 GMC S15 Jimmy Base
1985-1987 GMC S15 Jimmy Gypsy
1985 GMC S15 Jimmy High Sierra
1985-1987 GMC S15 Jimmy Sierra Classic
1985-1990 GMC Safari Base
1985-1987 GMC Safari SL
1985-1990 GMC Safari SLE
1987-1990 GMC Safari SLT
1985-1990 GMC Safari SLX
1991-1993 GMC Sonoma Base
1991-1993 GMC Sonoma SLE
1993 GMC Sonoma SLS
1980-1983 Jeep CJ5 Base
1980 Jeep CJ5 Golden Eagle
1980-1983 Jeep CJ5 Laredo
1982-1983 Jeep CJ5 Limited
1980-1983 Jeep CJ5 Renegade
1980-1983 Jeep CJ7 Base
1980 Jeep CJ7 Golden Hawk
1980-1983 Jeep CJ7 Laredo
1982-1983 Jeep CJ7 Limited
1980-1983 Jeep CJ7 Renegade
1981-1983 Jeep Scrambler Base
1982-1983 Jeep Scrambler SL
1982-1983 Jeep Scrambler SR
1985 Oldsmobile Calais 500
1985-1987 Oldsmobile Calais Base
1986 Oldsmobile Calais ES
1986-1987 Oldsmobile Calais GT
1985-1987 Oldsmobile Calais Supreme
1988-1991 Oldsmobile Cutlass Calais Base
1988-1991 Oldsmobile Cutlass Calais GT
1989-1991 Oldsmobile Cutlass Calais S
1988-1989 Oldsmobile Cutlass Calais SL
1982-1983,1988-1992 Oldsmobile Cutlass Ciera Base
1982-1988 Oldsmobile Cutlass Ciera Brougham
1984-1985 Oldsmobile Cutlass Ciera Cruiser LS
1983,1985-1986 Oldsmobile Cutlass Ciera ES
1986-1987 Oldsmobile Cutlass Ciera GT
1985-1986 Oldsmobile Cutlass Ciera Holiday
1982-1988 Oldsmobile Cutlass Ciera LS
1986-1988,1990-1991 Oldsmobile Cutlass Ciera S
1986-1990 Oldsmobile Cutlass Ciera SL
1989-1990 Oldsmobile Cutlass Cruiser Base
1987 Oldsmobile Cutlass Cruiser Brougham
1988 Oldsmobile Cutlass Cruiser Brougham LS
1987-1988 Oldsmobile Cutlass Cruiser LS
1988-1989 Oldsmobile Cutlass Cruiser SL
1980-1983 Oldsmobile Omega Base
1980-1983 Oldsmobile Omega Brougham
1981-1983 Oldsmobile Omega ES
1983 Oldsmobile Omega ESC
1981 Oldsmobile Omega Sport
1980-1981 Oldsmobile Omega SX
1978-1980 Oldsmobile Starfire Base
1978-1980 Oldsmobile Starfire Firenza
1978-1980 Oldsmobile Starfire GT
1978-1980 Oldsmobile Starfire SX
1982-1989 Pontiac 6000 Base
1982-1991 Pontiac 6000 LE
1977 Pontiac Astre Base
1977 Pontiac Astre Safari
1984-1985 Pontiac Fiero Base
1984-1987 Pontiac Fiero SE
1984-1988 Pontiac Fiero Sport
1986-1988 Pontiac Fiero Value Leader
1982-1986 Pontiac Firebird Base
1982-1984 Pontiac Firebird S/E
1985-1988 Pontiac Grand Am Base
1985-1991 Pontiac Grand Am LE
1987 Pontiac Grand Am SE
1991 Pontiac Grand Am Value Leader
1977-1978,1980-1983 Pontiac Phoenix Base
1978,1980-1983 Pontiac Phoenix LJ
1978 Pontiac Phoenix SJ
1977-1980 Pontiac Sunbird Base
1978-1979 Pontiac Sunbird Safari
1977 Pontiac Ventura Base
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SKU: 49941420468

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4.2 ★★★★★
Based on 2183 reviews
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Product Reviews
M
MW in KY
Houston, US
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 9, 2021
P
Peggy Hardman
Belleville, US
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 24, 2022
R
Verified Purchase
Readergurl
Pawtucket, US
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me. There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story. This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different. The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are. The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually. As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much. The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.) This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
F
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Francophile in Michigan
Natrona Heights, US
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel. The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human. I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving. I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family. I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
G
Verified Purchase
Gary Carden
New York, US
★★★★★ 5
00 361 pages Hurricane Katrina spawned an awesome number of literary works
Format: Kindle
Salvage the Bones by Jesmyn Ward New York: Bloomsberry $24.00 361 pages Hurricane Katrina spawned an awesome number of literary works, and it may be that, given sufficient time to determine the full merits of Jesmyn Ward’s novel, Salvage the Bones, her work may be the most worthy. Perhaps the theory that great disasters (wars, natural disasters) invariably produce great works of art (operas, novels, paintings, etc.). This theory was often discussed by Flannery O’Conner who commented on the irony of the “creative renaissance” in southern literature which owes its origin to the extensive suffering and injustice associated with slavery and the Civil War. The narrator of Salvage the Bones is Esch, a fifteen-year-old girl living in Bois Sauvage, a predominately black bayou town which happens to be in the direct path of Katrina. Set in the twelve days leading up to, and just after the arrival of the hurricane, the novel presents each day as a distinct vignette. Esch and her brothers spend each day preparing for the terrifying arrival. They have no intention of leaving and attempt to help their drunken father reinforce their shack with sheets of plywood. They collect and store bottles of drinking water. Food supplies tend to consist of Top Ramen moon pies, vienna sausage, potted meat and eggs gathered in the woods. However, despite Katrina’s approach, Esch and her brothers seem to be primarily concerned about their white pit bull, China who has just given birth to five pups. China has developed a reputation in the dog fights that take place in “The Pit” in Bois Sauvage. She is a killing machine, a fact that makes Esch and her brothers the envy of their neighbors. The family’s meager economic security depends on China and each day is spent grooming, washes and feeding her. Indeed they fawn over the big dog, telling everyone that her puppies will grow up to have a killer instinct and therefore, they are invaluable. Much of the intrigue in Esch’s daily life revolves around protecting China and her pups. Skeetah is Esch’s oldest brother and the dog’s self-appointed trainer. Esch has a multitude of problems. She struggles to love her handicapped father and is haunted by the memory of her mother’s death. Now, she discovers that she is pregnant by Bois Sauvage’s “golden boy,” Manny, the boy who put the baby inside her is totally indifferent to the consequences of a rough and tumble frolic in the dark. As each day brings more distress, the homely, pug-faced teenager turns to her imagination, searching for a means to deal with the world around her, and as luck would have it, that is Edith Hamilton’s Mythology, which was a required reading at school. Esch begins to see the people around her as characters in her favorite book. She observes that all the girls in Bois Sauvage seem to be acting like their mythical counterparts: Psyche, Eurydice, Daphne - all of them running away from something or running after someone. However, the mythical character that Esch selects for her own role model is an ominous one. It is Medea, the fierce and vindictive wife of “the golden-haired Jason, who kills her own brother when he stands in the way of her love for Jason; and when that love turns to hate, she then murders Jason’s new wife, Creusa, her father, Creon and even kills her own children. Of course, Esch is not going to harm anyone. Although she is filled with rage at the world around her, she is actually one of the forces that is holding everything together; China, the white pitbull is another. When Katrina reaches landfall, it comes like some apocalyptic act of God, sweeping everything away, including Esch’s home and all of their feeble efforts to battle the rising water. In the end Salvage the Bones acquires a kind of epic grander. Like Noah or Gilgamesh, the waters finally withdraw, leaving a confused and humbled Bois Sauvage. How much has been lost? The puppies are gone and so is China - but given the dog’s character, she may have survived. Perhaps Skeetah and his brothers will find her. The reader is left with a singular image. Skeetah, the oldest brother sits in the wreckage of their home, and while everyone else is searching for missing children, furniture and cars, Skeetah looks at his brothers and announces, “She will come back to me.” Esch tells us: “He will watch the dark, the ruined houses, the muddy appliances, the tops of the trees that surround us whose leaves are dying for lack of roots. He will feed the fire, so it will blaze bright as a lighthouse. He will listen for the beat of her tail, the padding of her feet in the mud. He will look into the future and see her emerge into the circle of his fire, beaten dirty by the hurricane so she doesn’t gleam anymore. So, she is the color of his teeth, his eyes, of the bone bounded by his blood, dull but alive, alive, alive, and when he sees her, his face will break and run water. And what of Esch who loves the white dog? She says that China will look at me and know “I am a mother.” Hopefully, it is apparent that this is a remarkable book. However, it was almost lost in the loud braying and confusion that dominates much of publishing business now. Even so, it won the National Book Award in 2011. Now, after a strange silence, it is beginning to get the attention that it deserves.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 3, 2016

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