SKU: 34224260168

Clevite Ford Prod V8 255-289-302 1962-95 Con Rod Bearing Set

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Description

Clevite Ford Prod V8 255-289-302 1962-95 Con Rod Bearing SetIdeal for rebuilding engines where more demanding use is anticipated, such as heavy duty, motorsports, or street performance. As it is the most versatile replacement engine bearing, P Series is suitable for most OE applications. Due to the increased load capacity of the TriMetal design, it is a suitable upgrade from BiMetal engine bearings. This Part Fits: Year Make Model Submodel 1968 1972,1974 Ford Bronco Base 1975 1977,1981 1993 Ford Bronco Custom

Ideal for rebuilding engines where more demanding use is anticipated, such as heavy duty, motorsports, or street performance. As it is the most versatile replacement engine bearing, P-Series is suitable for most OE applications. Due to the increased load capacity of the TriMetal design, it is a suitable upgrade from BiMetal engine bearings.

This Part Fits:

Year Make Model Submodel
1968-1972,1974 Ford Bronco Base
1975-1977,1981-1993 Ford Bronco Custom
1985-1996 Ford Bronco Eddie Bauer
1975 Ford Bronco Northland
1975 Ford Bronco Ranger
1981 Ford Bronco Ranger XLT
1968-1969 Ford Bronco Roadster
1975-1977 Ford Bronco Sport
1968-1973 Ford Bronco Wagon
1990-1996 Ford Bronco XL
1982-1983 Ford Bronco XLS
1984-1992,1994-1996 Ford Bronco XLT
1982-1983,1993 Ford Bronco XLT Lariat
1992 Ford Bronco XLT Nite
1995-1996 Ford Bronco XLT Sport
1971 Ford Custom 500 Base
1975,1979-1982 Ford E-100 Econoline Base
1975,1979-1982 Ford E-100 Econoline Chateau
1975,1979-1983 Ford E-100 Econoline Custom
1975 Ford E-100 Econoline Northland
1983 Ford E-100 Econoline XL
1979-1982 Ford E-100 Econoline Club Wagon Base
1979-1982 Ford E-100 Econoline Club Wagon Chateau
1979-1983 Ford E-100 Econoline Club Wagon Custom
1983 Ford E-100 Econoline Club Wagon XL
1981-1982,1984-1986,1992-1996 Ford E-150 Econoline Base
1981-1982 Ford E-150 Econoline Chateau
1981-1983,1987-1991 Ford E-150 Econoline Custom
1983-1996 Ford E-150 Econoline XL
1980-1982,1984-1986 Ford E-150 Econoline Club Wagon Base
1980-1982,1992-1996 Ford E-150 Econoline Club Wagon Chateau
1980-1983,1987-1996 Ford E-150 Econoline Club Wagon Custom
1983-1991 Ford E-150 Econoline Club Wagon XL
1984-1996 Ford E-150 Econoline Club Wagon XLT
1969-1974 Ford E-200 Econoline Base
1971-1972 Ford E-200 Econoline Chateau Wagon
1969-1974 Ford E-200 Econoline Club Wagon
1970-1974 Ford E-200 Econoline Custom Wagon
1981-1982,1984-1986 Ford E-250 Econoline Base
1981-1982 Ford E-250 Econoline Chateau
1981-1983,1987-1991 Ford E-250 Econoline Custom
1983-1991 Ford E-250 Econoline XL
1969-1974 Ford E-300 Econoline Base
1970-1974 Ford E-300 Econoline Chateau Wagon
1969-1974 Ford E-300 Econoline Club Wagon
1971-1972 Ford E-300 Econoline Custom Wagon
1996-2001 Ford Explorer Eddie Bauer
1996-2001 Ford Explorer Limited
1999 Ford Explorer XLS
1996-2001 Ford Explorer XLT
1976-1978,1983 Ford F-100 Base
1976-1978,1980-1982 Ford F-100 Custom
1976-1978 Ford F-100 Northland
1976-1978,1980-1981 Ford F-100 Ranger
1978,1980-1981 Ford F-100 Ranger Lariat
1976-1978,1980-1981 Ford F-100 Ranger XLT
1982-1983 Ford F-100 XL
1982-1983 Ford F-100 XLS
1977 Ford F-100 XLT
1982-1983 Ford F-100 XLT Lariat
1976-1977,1983-1986 Ford F-150 Base
1976-1977,1980-1982,1987-1992 Ford F-150 Custom
1995-1996 Ford F-150 Eddie Bauer
1976-1977 Ford F-150 Northland
1976-1977,1980-1981 Ford F-150 Ranger
1980-1981 Ford F-150 Ranger Lariat
1976-1977,1980-1981 Ford F-150 Ranger XLT
1995-1996 Ford F-150 Special
1982-1996 Ford F-150 XL
1982-1983 Ford F-150 XLS
1977,1983-1984,1993-1996 Ford F-150 XLT
1982,1985-1992 Ford F-150 XLT Lariat
1976-1977,1984-1986 Ford F-250 Base
1976-1977,1980-1982,1987-1992 Ford F-250 Custom
1995-1996 Ford F-250 Eddie Bauer
1976-1977 Ford F-250 Northland
1976-1977,1980-1981 Ford F-250 Ranger
1980-1981 Ford F-250 Ranger Lariat
1976-1977,1980-1981 Ford F-250 Ranger XLT
1995-1996 Ford F-250 Special
1982,1984-1996 Ford F-250 XL
1982 Ford F-250 XLS
1977,1984,1993-1996 Ford F-250 XLT
1982,1985-1992 Ford F-250 XLT Lariat
1976 Ford F-350 Base
1976 Ford F-350 Custom
1976 Ford F-350 Northland
1976 Ford F-350 Ranger
1976 Ford F-350 Ranger XLT
1978-1982 Ford Fairmont Base
1978-1982 Ford Fairmont Futura
1981 Ford Fairmont S
1967-1970 Ford Falcon Base
1968-1970 Ford Falcon Futura
1975-1980 Ford Granada Base
1978-1980 Ford Granada ESS
1975-1980 Ford Granada Ghia
1981 Ford Granada GL
1981 Ford Granada GLX
1981 Ford Granada L
1972-1974,1979-1982,1984-1985 Ford LTD Base
1972-1974,1984-1985 Ford LTD Brougham
1979-1986 Ford LTD Country Squire
1986 Ford LTD Country Squire LX
1980-1986 Ford LTD Crown Victoria
1986 Ford LTD Crown Victoria LX
1979 Ford LTD Landau
1985 Ford LTD LX Brougham
1980-1982 Ford LTD S
1990-1991 Ford LTD Crown Victoria Base
1990-1991 Ford LTD Crown Victoria LX
1990-1991 Ford LTD Crown Victoria S
1977-1979 Ford LTD II Base
1977-1978 Ford LTD II Brougham
1979 Ford LTD II Landau
1977-1979 Ford LTD II S
1971-1977 Ford Maverick Base
1975-1977 Ford Maverick Grabber
1967-1973,1979-1981 Ford Mustang Base
1969-1971 Ford Mustang Boss 302
1981 Ford Mustang Cobra
1979-1981 Ford Mustang Ghia
1982 Ford Mustang GL
1982 Ford Mustang GLX
1970-1973 Ford Mustang Grande
1982-1995 Ford Mustang GT
1984 Ford Mustang GT-350 20th Anniversary
1995 Ford Mustang GTS
1982,1984 Ford Mustang L
1984-1993 Ford Mustang LX
1970-1973 Ford Mustang Mach 1
1968 Ford Mustang Shelby GT-350
1993-1995 Ford Mustang SVT Cobra
1993 Ford Mustang SVT Cobra R
1975-1978 Ford Mustang II Base
1975-1978 Ford Mustang II Ghia
1975-1978 Ford Mustang II Mach 1
1970-1974,1977-1979 Ford Ranchero 500
1968-1971 Ford Ranchero Base
1968-1974,1977-1979 Ford Ranchero GT
1970-1974,1977-1979 Ford Ranchero Squire
1977-1988,1991-1992 Ford Thunderbird Base
1978 Ford Thunderbird Diamond Jubilee
1984-1986 Ford Thunderbird Elan
1984-1985 Ford Thunderbird Fila
1979,1981-1983 Ford Thunderbird Heritage
1983-1988,1991-1993 Ford Thunderbird LX
1983-1988 Ford Thunderbird Sport
1978-1982 Ford Thunderbird Town Landau
1971 Ford Torino 500
1969-1974 Ford Torino Base
1970-1971 Ford Torino Brougham
1969-1971 Ford Torino GT
1969-1971 Ford Torino Squire
1980,1982-1987 Lincoln Continental Base
1982-1987 Lincoln Continental Givenchy
1982 Lincoln Continental Signature
1983-1985 Lincoln Continental Valentino
1980-1983 Lincoln Mark VI Base
1982-1983 Lincoln Mark VI Bill Blass
1982 Lincoln Mark VI Givenchy
1982-1983 Lincoln Mark VI Pucci
1982-1983 Lincoln Mark VI Signature
1984-1987 Lincoln Mark VII Base
1984-1992 Lincoln Mark VII Bill Blass
1984-1992 Lincoln Mark VII LSC
1984-1985 Lincoln Mark VII Versace
1981-1990 Lincoln Town Car Base
1982-1990 Lincoln Town Car Cartier
1990 Lincoln Town Car Cypress
1990 Lincoln Town Car Executive
1982-1990 Lincoln Town Car Signature
1989 Lincoln Town Car Signature SE
1990 Lincoln Town Car Touring Edition
1977-1980 Lincoln Versailles Base
1964-1967 Mercury Caliente Base
1986 Mercury Capri 5.0
1966-1967,1979-1982 Mercury Capri Base
1982 Mercury Capri Black Magic
1979-1980 Mercury Capri Ghia
1981-1982 Mercury Capri GS
1982 Mercury Capri L
1982-1985 Mercury Capri RS
1990-1991 Mercury Colony Park GS
1990-1991 Mercury Colony Park LS
1962-1968,1973-1977 Mercury Comet Base
1967-1968,1977-1979,1981,1983-1986 Mercury Cougar Base
1970 Mercury Cougar Boss 302
1977 Mercury Cougar Brougham
1983-1988,1991-1992 Mercury Cougar LS
1967-1968,1977-1982,1987-1988,1991-1993 Mercury Cougar XR-7
1964-1971 Mercury Cyclone Base
1969 Mercury Cyclone CJ
1970-1971 Mercury Cyclone GT
1969-1971 Mercury Cyclone Spoiler
1979-1986 Mercury Grand Marquis Base
1979-1986 Mercury Grand Marquis Colony Park
1987-1991 Mercury Grand Marquis GS
1983-1991 Mercury Grand Marquis LS
1979-1982 Mercury Marquis Base
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SKU: 34224260168

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4.6 ★★★★★
Based on 193 reviews
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Product Reviews
M
MW in KY
Alexandria, US
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 9, 2021
P
Peggy Hardman
Birmingham, US
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 24, 2022
R
Verified Purchase
Readergurl
New York, US
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me. There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story. This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different. The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are. The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually. As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much. The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.) This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
F
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Francophile in Michigan
Cuba, US
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel. The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human. I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving. I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family. I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
G
Verified Purchase
Gary Carden
Pawtucket, US
★★★★★ 5
00 361 pages Hurricane Katrina spawned an awesome number of literary works
Format: Kindle
Salvage the Bones by Jesmyn Ward New York: Bloomsberry $24.00 361 pages Hurricane Katrina spawned an awesome number of literary works, and it may be that, given sufficient time to determine the full merits of Jesmyn Ward’s novel, Salvage the Bones, her work may be the most worthy. Perhaps the theory that great disasters (wars, natural disasters) invariably produce great works of art (operas, novels, paintings, etc.). This theory was often discussed by Flannery O’Conner who commented on the irony of the “creative renaissance” in southern literature which owes its origin to the extensive suffering and injustice associated with slavery and the Civil War. The narrator of Salvage the Bones is Esch, a fifteen-year-old girl living in Bois Sauvage, a predominately black bayou town which happens to be in the direct path of Katrina. Set in the twelve days leading up to, and just after the arrival of the hurricane, the novel presents each day as a distinct vignette. Esch and her brothers spend each day preparing for the terrifying arrival. They have no intention of leaving and attempt to help their drunken father reinforce their shack with sheets of plywood. They collect and store bottles of drinking water. Food supplies tend to consist of Top Ramen moon pies, vienna sausage, potted meat and eggs gathered in the woods. However, despite Katrina’s approach, Esch and her brothers seem to be primarily concerned about their white pit bull, China who has just given birth to five pups. China has developed a reputation in the dog fights that take place in “The Pit” in Bois Sauvage. She is a killing machine, a fact that makes Esch and her brothers the envy of their neighbors. The family’s meager economic security depends on China and each day is spent grooming, washes and feeding her. Indeed they fawn over the big dog, telling everyone that her puppies will grow up to have a killer instinct and therefore, they are invaluable. Much of the intrigue in Esch’s daily life revolves around protecting China and her pups. Skeetah is Esch’s oldest brother and the dog’s self-appointed trainer. Esch has a multitude of problems. She struggles to love her handicapped father and is haunted by the memory of her mother’s death. Now, she discovers that she is pregnant by Bois Sauvage’s “golden boy,” Manny, the boy who put the baby inside her is totally indifferent to the consequences of a rough and tumble frolic in the dark. As each day brings more distress, the homely, pug-faced teenager turns to her imagination, searching for a means to deal with the world around her, and as luck would have it, that is Edith Hamilton’s Mythology, which was a required reading at school. Esch begins to see the people around her as characters in her favorite book. She observes that all the girls in Bois Sauvage seem to be acting like their mythical counterparts: Psyche, Eurydice, Daphne - all of them running away from something or running after someone. However, the mythical character that Esch selects for her own role model is an ominous one. It is Medea, the fierce and vindictive wife of “the golden-haired Jason, who kills her own brother when he stands in the way of her love for Jason; and when that love turns to hate, she then murders Jason’s new wife, Creusa, her father, Creon and even kills her own children. Of course, Esch is not going to harm anyone. Although she is filled with rage at the world around her, she is actually one of the forces that is holding everything together; China, the white pitbull is another. When Katrina reaches landfall, it comes like some apocalyptic act of God, sweeping everything away, including Esch’s home and all of their feeble efforts to battle the rising water. In the end Salvage the Bones acquires a kind of epic grander. Like Noah or Gilgamesh, the waters finally withdraw, leaving a confused and humbled Bois Sauvage. How much has been lost? The puppies are gone and so is China - but given the dog’s character, she may have survived. Perhaps Skeetah and his brothers will find her. The reader is left with a singular image. Skeetah, the oldest brother sits in the wreckage of their home, and while everyone else is searching for missing children, furniture and cars, Skeetah looks at his brothers and announces, “She will come back to me.” Esch tells us: “He will watch the dark, the ruined houses, the muddy appliances, the tops of the trees that surround us whose leaves are dying for lack of roots. He will feed the fire, so it will blaze bright as a lighthouse. He will listen for the beat of her tail, the padding of her feet in the mud. He will look into the future and see her emerge into the circle of his fire, beaten dirty by the hurricane so she doesn’t gleam anymore. So, she is the color of his teeth, his eyes, of the bone bounded by his blood, dull but alive, alive, alive, and when he sees her, his face will break and run water. And what of Esch who loves the white dog? She says that China will look at me and know “I am a mother.” Hopefully, it is apparent that this is a remarkable book. However, it was almost lost in the loud braying and confusion that dominates much of publishing business now. Even so, it won the National Book Award in 2011. Now, after a strange silence, it is beginning to get the attention that it deserves.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 3, 2016

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