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USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 10 - Jul 15
For Your Every Summer RSVP, with Code: SUMMER15
Description
Blackmagic Studio Fiber ConverterThis rack based fibre interface is designed to sit at the studio or outside broadcast end of a professional SMPTE fibre workflow, acting as the central hub between remote cameras and standard broadcast equipment. By converting a single hybrid fibre connection back into familiar video, audio, control and power connections, it enables cameras to be positioned up to 2 km away without compromising quality, latency or operational safety. Using industry
This rack based fibre interface is designed to sit at the studio or outside broadcast end of a professional SMPTE fibre workflow, acting as the central hub between remote cameras and standard broadcast equipment. By converting a single hybrid fibre connection back into familiar video, audio, control and power connections, it enables cameras to be positioned up to 2 km away without compromising quality, latency or operational safety.
Using industry standard SMPTE 311M hybrid fibre with SMPTE 304 connectors, the unit delivers all essential signals and provides full power to the camera and accessories. Built in multi layer safety monitoring continuously checks cable integrity before and during operation. Power is only enabled once safe conditions are confirmed, and is instantly disabled if a fault is detected, making it suitable for permanent installations as well as touring broadcast environments.
At the studio end, it converts the fibre link into a 12G SDI camera feed supporting both HD and Ultra HD formats up to 2160p60, alongside three independent HD return feeds. These return paths can be used for program, preview, teleprompter or graphics, and also carry embedded camera control, tally, genlock and intercom data for seamless integration with modern production switchers. All video and data are transported using standard IP internally to ensure extremely low latency broadcast quality performance.
Monitoring and control are enhanced by an integrated 5 inch LCD screen on the front panel, allowing operators to view the incoming camera signal and return feeds directly at the rack. Comprehensive talkback support is included, with dual channel intercoms for production and engineering, tracker talkback, and tally signals, making coordination with camera operators straightforward during live shows. The system is designed to pair directly with a compatible camera side fibre unit, forming a complete end to end fibre solution for studio and OB workflows.
This converter is ideal for studios, sports venues, theatres and houses of worship where cameras need to be placed far from the control room, yet still require full power, control and monitoring from a single, robust connection.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.5 ★★★★★
Based on 46 reviews
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Product Reviews
★★★★★ 5
Best out of all other heat tapes!
Number of Items: 6
It is extremely weird how excited I became when trying this tape out for the first time. I can't speak for all of the blue heat tapes but this one in particular is all sorts of great to use. Thicker, easier to tear, stronger adhesive than the brown and clear heat tapes I've tried. I started with the clear because I was afraid of the other colored tapes leaving marks on my substrates. The clear tape was a good amount of thickness and easy to tear and use but the adhesion was terrible. I would wrap it around the rim of tumblers, fold it down into the inside of the tumbler and it would pop right back up. Forget using it on any fabrics, did not hold sublimation sheets down to totes, shirts, mousepads, at all. The brown tape I used had better adhesion but was thin and stretchy? floppy? Didn't know this was even an annoying thing until I moved on to this blue tape and was just blown away. Still blows me away how it was cheaper than the other two kind but is the thickest and best gripping of them all. So far it does not leave any marks on any of my items. I'm so impressed by this tape that I still NOTICE it everytime it's tearing off perfectly or holding my things together so well.
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Reviewed in the United States on August 9, 2023
★★★★★ 5
great for sublimation for shirts, tumblers and also fast delivery
Number of Items: 4
This tape works great for my sublimation tumblers and shirts; there is no glue residue that is left behind. It gives my tumblers a good seal at the top and bottom and down the side where I don't have air gaps in my picture I want to sublimate on the tumbler. It is durable, and it does not smell. It is easy to use and cut. It is a great value for the money and it was delivered the next day.
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Reviewed in the United States on October 10, 2025
★★★★★ 5
A must have
Number of Items: 2
This tape is perfect! I’ve been using other types and nothing compares to blue tape. It holds well and is nice and wide. I’ve had no problems with it. Price is right as well.
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Reviewed in the United States on February 19, 2026
★★★★★ 5
Works great I would recommend this
Number of Items: 4
Works perfect in my heat press
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Reviewed in the United States on April 9, 2026
★★★★★ 5
Great heat tape
Number of Items: 2
This tape is thicker and a bit more rigid which makes it easy to handle. It tears cleanly and doesn't wrinkle or fold over on itself when you're trying to place it. The adhesion is great. It is strong enough to hold sublimation paper and vinyl securely on any item, from tumblers to t-shirts, without any lifting during the press. It comes off cleanly every single time and leaves no residue or color marks behind.
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Reviewed in the United States on July 30, 2025
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